CROCKER MUSIC

Editions by Dean Crocker

⁂ Click on a title to audition the music.

Albert, Eugen d’ (1864–1932)
String Quartet no. 1, Op. 7
  • 2 violins, viola, violoncello
From a publication by Ed. Bote & G. Bock (Berlin), ca 1888
String Quartet no. 2, Op. 11
  • 2 violins, viola, violoncello
From a publication by Ed. Bote & G. Bock (Berlin), ca 1893
Arensky, Anton (1861–1906)
Two Quartets, Op. 55 (ca. 1900)
  • Mixed quartet [or choir?](SATB) a cappella
Settings of two short Russian poems by Fet and by Lermontov. Includes German lyrics as well.
Published 1900, Jurgenson, Moscow.
Three Quartets, Op. 57 (ca. 1902)
  • Mixed quartet [or choir](SATB) and cello
Settings of three short Russian poems by Afanasy Fet. Includes German lyrics as well.
Published ca. 1902, Jurgenson, Moscow.
Barnby, J(oseph?) (1838–1896)
Voice of the Western Wind (1887)
  • Female chorus (SSA) with piano
Published as No. 29 in series The Coda: Supplementary Music for Public Schools
Copyright 1887, Ginn & Co.
Bartlett, Homer Newton (1846–1920)
Grand Polka de Concert no. 1, Op. 1
  • Piano solo
Published, 1867, Wm. A. Pond and Co.
Grand Polka de Concert no. 2 (“El Dorado”), Op. 14
  • Piano solo
Copyright 1876, 1904 by Wm. A. Pond & Co.
Bernard, Émile (1843–1902)
Divertissement, Op. 36
  • Double wind quintet (2 fl, 2 ob, 2 cl, 2 hn, 2 bsn)
From a publication by A. Durand & Fils (Paris), ca 1890
Brahms, Johannes (1833–1897)
Three Sacred Choruses, Op. 37 (1859/1863)
This edition is now published by Mark Foster.
  • Female chorus (SSAA), two soloists, a cappella.
    1. O bone Jesu
    2. Adoramus te, Christe
    3. Regina coeli laetare
Previously published, 1865, J. Rieter-Biedermann (Leipzig & Winterthur)
Briccialdi, Giulio (1818–1881)
Woodwind Quintet in D, Op. 124
  • Flute, oboe, clarinet in A, horn in F, bassoon
Based on a B. Schott‘s Söhne (Mainz–Leipzig) publication, ca 1875
Bullard, Frederick Field (1864–1904)
The Pigtail (1901)
  • Mixed chorus (SATB) with piano
Published as No. 12 in The Laurel Octavo, first series
Copyright 1901, C. C. Birchard & Company, Boston, Mass.
Costa, Sir Michael (1808–1884)
Damascus: Triumphal March from Naaman (1864)
  • Mixed chorus (SSATTB) with piano
Special Edition for the Sacred Harmonic Society published 1865, Addison and Lucas, London.
Published as No. 38 of The Standhope Edition
Copyright 1908, White-Smith Music Publishing Co., Boston—New York—Chicago.
Cramer, Johann Baptist (1771–1858)
Quintet in E (“Amicitia”), Op. 69
  • Piano, violin, viola, violoncello and contrabass
Composed, 1824
From a H. A. Probst (Leipzig) publication, ca 1827
Danzi, Franz (1763–1826)
Quintet, Op. 41
  • Oboe, clarinet, bassoon, horn and piano
Composed, ca 1820
From a Breitkopf & Härtel (Leipzig) publication, ca. 1821
Fibich, Zdeněk (1850–1900)
Trio for Piano, Violin and Cello, in f-minor, H. 174
  • Piano, violin and violoncello
Composed, 1872
From a F. A. Urbánek (Prague) publication, ca 1908
Quintet, H. 308 [Op. 42]
  • Violin, Clarinet in B-flat, Horn in F, Violoncello, and Piano
Published, F. A. Urbánek (Prague), 1896
Foster, Stephen Collins (1826–1864)
Come Where My Love Lies Dreaming
  • Vocal Quartet (SATB a cappella) [Could be performed by a choir]
Published, ca 1893, Wm. A. Pond & Co. (New York)
The Old Folks At Home
  • Mixed chorus (SATB) with piano
Published, 1904, Ginn & Co. (New York)
Fuhrmeister, Fritz (1862–1937)
Gavotte and Tarantella, Op. 6
  • Piano, flute, oboe, clarinet, bassoon and horn
Composed, 1901
From a Carl Giessel junior (Bayreuth) publication, 1902
Hummel, Johann Nepomuk (1778–1837)
Trio for Piano, Violin and Cello, no. 2 in E-flat, Op. 12
  • Piano, violin and violoncello
Composed, ca 1803
From a C. F. Peters (Leipzig) publication, ca 1870
Trio for Piano, Violin and Cello, no. 3 in F, Op. 22
  • Piano, violin and violoncello
Composed, ca 1799
From a Chez Jouve (Paris) publication, 1807
Trio for Piano, Violin and Cello, no. 4 in G, Op. 35
  • Piano, violin and violoncello
Composed, ca 1808
From a Pleyel et Fils (Paris) publication, ca. 1811
Trio for Piano, Violin and Cello, no. 5 in G, Op. 65
  • Piano, violin and violoncello
Composed, ca 1814
From a Prilipp (Paris) publication, ca. 1839
Trio for Piano, Violin and Cello, no. 6 in E (Grand Trio Concertant), Op. 83
  • Piano, violin and violoncello
Published, ca 1819, Richault (Paris)
Trio for Piano, Violin and Cello, no. 7 in E-flat , Op. 93
  • Piano, violin and violoncello
Published, ca 1822, C.F. Peters (Leipzig)
Josquin des Prez (ca. 1450–1521)
Absolon fili mi
  • Mixed chorus (SATB)
Modern performance edition based on a scholarly edition published in 1877 by Leo Liepmannssohn, Berlin, in Publikation älterer praktischer und theoretischer Music-Werke.
Kalkbrenner, Friedrich Wilhelm (1788–1849)
24 Preludes, Op. 88
  • Piano solo
Published by Pleyel (Paris) ca. 1812
Septet, Op. 132
  • Oboe, clarinet, bassoon, horn, cello, bass and piano
Published ca. 1835 by Breitkopf & Härtel (Leipzig)
Lachner, Franz (1808–1890)
Octet, Op. 156
  • Flute, oboe, 2 clarinets, 2 bassoons and 2 horns
Composed, ca 1850
From a Fr. Kistner (Leipzig) publication, 1872
Psalm 133, Op. 91
  • Female chorus (SSAA)
Published in 1849 by B. Schott’s Sohnen (Mainz)
Psalm 134
  • Double mixed chorus (SATB/SATB)
First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.
Lack, Théodore (1846–1921)
Le chant du ruisseau, Op. 92
  • Piano solo
Published, copyright 1897, Theo. Presser
Lacome, Paul (1838–1920)
Estudiantina (1881)
  • Mixed chorus (SATB) with piano
The tune is possibly best known as the long-standing Rheingold Beer jingle. Sadly, those lyrics are still under copyright (although they can be found online easily enough).
Published as No. 58 in the Octavo Choruses for Mixed Voices series
Copyright 1887, G. Schirmer (New York)
Lange, Gustav (1830–1889)
Pure As Snow, Op. 34
  • Piano solo
Published, C. C. Church and Company of Hartford, Connecticut, no date or copyright notice.
MacDowell, Edward (1861–1908)
March Wind, Op. 46, no. 10
  • Piano solo
Copyright 1894, Breitkopf & Härtel
Copyright 1917, Breitkopf & Härtel, New York.
Sonata Tragica, Op. 45
  • Piano solo
Copyright 1893, Breitkopf & Härtel
Copyright 1922, G. Schirmer, New York.
Woodland Sketches, Op. 51
  • Piano solo
Copyright 1898, P. L. Jung, New York
Published 1899, Arthur P. Schmidt, Boston—Leipzig—New York.
Miessner, W. Otto (1880–1967)
Our High School (1905)
  • Female chorus (SSA) with piano
Published as No. 4586 in the Octavo Choruses for Women’s Voices series
Copyright 1905, G. Schirmer (New York)
Moriacchi, Francesco (1784–1841)
Salve Regina
  • Mixed chorus (SATB)
First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.
Paderewski, Ignacy Jan (1860–1941)
6 Humoresques de Concert, Op. 14
  • Piano solo
Published, Ed. Bote & G. Bock (Berlin), ca. 1887.
Palestrina, Giovanni Pierluigi da (1525–1594)
Sitivit anima mea
  • Mixed chorus (SATB) a cappella
The rarely seen Part 2 of Palestrina’s well-known motet Sicut cervus
Pennington, S. B.
Japanese Dance, Op. 12, no. 2
  • Piano solo
From Two Pianoforte Pieces
Published as B. F. W. 3769-4.
Copyright 1910, The B. F. Wood Music Co.
Pleyel, Ignace (1757–1831)
Septet, B. 251
  • 2 violins, viola, violoncello, bass and 2 horns
Published, ca 1787, Jean André (Offenbach am Main)
Popper, David (1843–1913)
Gavotte
  • Piano solo
  • Uncredited arrangement of Popper’s Gavotte No. 3, Op. 27
From an old volume with no title or copyright notice.
Raff, Joachim (1822–1882)
Cachoucha Caprice, Op. 79
  • Piano solo
From an old volume with no title or copyright notice.
“Grand” Piano Quintet, Op. 107
  • Piano, 2 violins, viola and violoncello
Published, ca 1862, J. Schuberth & Co. (Leipzig)
Octet, Op. 176
  • 4 violins, 2 violas and 2 celli
Composed, 1876
From a F. Ries Verlag (Dresden) publication, ca 1880
La fileuse (The Spinner), Op. 157, no. 2
  • Piano solo
From an old volume with no title or copyright notice.
Read, Daniel (1757–1836)
An Anthem (“Down steers the bass”)
  • Mixed chorus (SATB), a cappella
Previously published, 1786, by Daniel Read (New Haven) in The American Singing Book (second edition)
Rinck, Christian Heinrich (1770–1846)
Kyrie
  • Mixed chorus (SATB) and organ
First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.
Rubinstein, Anton (1829–1894)
Etude, Op. 23, no. 2
  • Piano solo
From an old volume with no title or copyright notice.
Quintet for Piano and Winds, Op. 55
  • Piano, flute, clarinet, bassoon, horn
Composed, 1855
From publications by E. Gerard et Cie (Paris) and J. Schuberth & Co. (Leipzig), ca 1861.
Sayve, August de (1790–1834)
Grand Quintet for Piano and Strings in E-flat, Op. 15
  • Piano, violin, viola, violoncello and contrabass
Composed, ca 1830
From a Richault (Paris) publication, ca 1830. Original arrangement by the composer.
Grand Quintet for Piano and Winds in E-flat, Op. 15
  • Piano, flute (or oboe), clarinet, bassoon, horn
Composed, ca 1830
From a Richault (Paris) publication, ca 1830. Original arrangement by the composer.
Schütt, Eduard (1856–1933)
A la bien aimée, Op. 59, no. 2
  • Piano solo
From Papillons d’amour
Published, copyright 1900, N. Simrock.
Seyfried, Ignaz von (1776–1841)
Tantum ergo
  • Mixed chorus (SATB)
First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.
Sobeck, Johann (1831–1914)
First Quintet for Winds, Op. 9
  • Flute, oboe, clarinet in B-flat, horn in F, bassoon
Published, ca 1879, Ed. Bote & G. Bock (Berlin)
Second Quintet for Winds, Op. 11
  • Flute, oboe, clarinet in B-flat, horn in F, bassoon
Published, 1891, Bosworth & Co. (London, Leipzig, Paris, Wien)
Third Quintet for Winds, Op. 14
  • Flute, oboe, clarinet in B-flat, horn in F, bassoon
Published, ca 1891, Bosworth & Co. (London, Leipzig, Paris, Wien)
Fourth Quintet for Winds, Op. 23
  • Flute, oboe, clarinet in B-flat, horn in F, bassoon
Published, 1897, Lehne & Komp. (Hannover)
Stcherbatcheff, Nicolas (1853–?)
Clair de lune, Op. 25
  • Piano solo
Published, copyright 1900, J. B. Millet Co., Boston.
Orientale, Op. 15
  • Piano solo
Published, copyright 1900, J. B. Millet Co., Boston.
Stevens, R. J. S. (1757–1837)
Crabbed Age and Youth
  • Men’s chorus (TTBB)
Previously published, 1844, in The People’s Music Book, Vol. 3 by George Virtue (London) and in The British Minstel, and Musical and Literary Miscellany by William Hamilton (Glasgow), n.d.
Täglichsbeck, Thomas (1799–1867)
Five Choral Anthems (Fünf Chor-Gesänge), Op. 29
  • Mixed chorus (SATB), Soloists (SATB), Brass ensemble (2 hn, 2 tpt, 3 tbn, 1 tuba) or piano
Previously published, 1847 by Falter & Sohn (Munich)
Six Sacred Songs (6 geistliche Lieder), Op. 45
  • Mixed chorus (SATB), a cappella
Previously published, 1863 by Falter & Sohn (Munich)
Quintet, Op. 44
  • Clarinet, 2 violins, viola, and violoncello
Published, 1863, by Trautwein (Berlin)
Trio, Op. 26
  • Piano, violin, and violoncello
Published, 1847, J. Schuberth & Co. (Leipzig)
Thalberg, Sigismund (1812–1871)
Andante, Op. 32
  • Piano solo
Published 1856, Henry Talman & Co., Boston.
Collection
Three Tennyson Songs
  1. J. Francis Barnett, The Sea-Fairies. [Women’s chorus and piano]
  2. Wm. G. Cusins, The Song of King Arthur‘s Knights. [Men’s chorus, a cappella]
  3. H. David Leslie, The Golden Year. [Mixed chorus, optional piano]
Previously published, 1880 by Harper & Brothers (New York)

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