Editions by Dean Crocker

⁂ Click on a title to audition the music.

Albert, Eugen d’ (1864–1932): Piano Sonata, Op. 10; • Piano solo. 25′; From a publication by Ed. Bote & G. Bock (Berlin), ca. 1893; composed, 1887

String Quartet no. 1, Op. 7

• 2 violins, viola, violoncello. 38′

From a publication by Ed. Bote & G. Bock (Berlin), ca. 1888; composed, 1887

String Quartet no. 2, Op. 11

• 2 violins, viola, violoncello. 32′

From a publication by Ed. Bote & G. Bock (Berlin), ca. 1893; composed, 1893

Arensky, Anton (1861–1906): Two Quartets, Op. 55; • SATB quartet [or choir?], a cappella. [Russian/German] 4′; Settings of two short Russian poems by Fet and by Lermontov.
Based on a publication by Jurgenson (Moscow) from about 1900

Three Quartets, Op. 57

• SATB quartet with cello. [Russian/German] 7′

Settings of three short Russian poems by Afanasy Fet.
Based on a publication by Jurgenson (Moscow) from about 1902

Barnby, J(oseph?) (1838–1896): Voice of the Western Wind; • SSA choir with piano. [English] 3¼′; Lyrics by Stedman
Published as No. 29 in series The Coda: Supplementary Music for Public Schools
Copyright 1887 Ginn & Co.

Bartlett, Homer Newton (1846–1920): Grand Polka de Concert no. 1, Op. 1; • Piano solo. 6′; Published 1867 by Wm. A. Pond and Co.

Grand Polka de Concert no. 2 (“El Dorado”), Op. 14

• Piano solo. 5′

Robert of Lincoln, Op. 250

• SSAA choir with Soprano solo, a cappella. [English] 1¾′

Baußnern, Waldemar von (1866–1931): Quintet, F; • Clarinet, horn, violin, cello, piano. 36′; From a 1905 publication by N. Simrock (Berlin); composed 1898

Serenade, E-flat

• Violin, clarinet, piano. 30′

From a 1905 publication by N. Simrock (Berlin); composed ca. 1898

Bernard, Émile (1843–1902): Divertissement, Op. 36; • Double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 bassoons). 21′; From a publication by A. Durand & Fils (Paris), ca. 1890

Piano Trio, Op. 30

• Violin, violoncello, piano. 25′

From an 1885 publication by Ries & Erler (Berlin)

Blanc, Adolphe (1828–1885): Quintet, Op. 37; • Piano, flute, clarinet in B-flat, horn, bassoon. 22′; From an 1859 publication by Richault (Paris)

Septet, Op. 54

• Piano, flute, oboe, horn, viola, cello, bass. 30′

From an 1876 publication by Richault (Paris)

Brahms, Johannes (1833–1897)

Three Sacred Choruses, Op. 37 (1859/1863)

This edition is now published by Mark Foster.

• SSAA choir, two soloists, a cappella. [Latin] 5¼′

O bone Jesu
Adoramus te, Christe
Regina coeli laetare

Previously published 1865 by J. Rieter-Biedermann (Leipzig & Winterthur)

Briccialdi, Giulio (1818–1881): Wind Quintet, D, Op. 124; • Flute, oboe, clarinet in A, horn, bassoon. 15′; Based on a B. Schott‘s Söhne (Mainz–Leipzig) publication, ca. 1875

Bullard, Frederick Field (1864–1904): The Pigtail; • SATB choir with piano. [English] 2½′; Lyrics by Thackeray
Published as No. 12 in The Laurel Octavo, first series
Copyright 1901 by C. C. Birchard & Company (Boston)

Chadwick, George W. (1854–1931): Piano Quintet, E-flat (1888); • Piano, 2 violins, viola, cello. 32′; A new edition based on an 1890 publication by Arthur P. Schmidt (Boston & Leipzig).

Chaminade, Cécile (1857–1944): The Flatterer (La Lisonjera), Op. 50; • Piano solo. 2¼′; New edition of an 1897 publication by Theo. Presser

Costa, Sir Michael (1808–1884): Damascus [Triumphal March from Naaman]; • SSATTB choir with piano. [English] 6¾′; Special Edition for the Sacred Harmonic Society published 1865, Addison and Lucas (London)
Published as No. 38 of The Standhope Edition Copyright 1908 by White-Smith Music Publishing Co. (Boston—New York—Chicago)

Cramer, Johann Baptist (1771–1858): Piano Quartet, Op. 35; • Piano, violin, viola, violoncello. 20′; From multiple publications, ca. 1803; composed, 1803

Quintet in E (“Amicitia”), Op. 69

• Piano, violin, viola, violoncello, contrabass. 30′

From a H. A. Probst (Leipzig) publication, ca. 1827; composed, 1824

Danzi, Franz (1763–1826): Quintet for piano and winds, Op. 41; • Oboe, clarinet, bassoon, horn, piano. 30′; From a Breitkopf & Härtel (Leipzig) publication, ca. 1821; composed, ca. 1820

Dupont, Gabriel (1878–1914): Chansons normandes; • SA choir with soloist and piano accompaniment. [French] 10′; Settings of three poems by Emile Blémont.
A new edition taken from a 1900 publication by Alphonse Leduc (Paris)

Farrenc, Louise (1804–1875): Nonet, Op. 38; • Flute, oboe, clarinet, bassoon, horn, violin, viola, violoncello, contrabass. 27′; From a manuscript in the Bibliothèque nationale de France, 1849; composed, 1849

Fibich, Zdeněk (1850–1900)

Piano Trio, f minor, H. 174

• Piano, violin, violoncello. 13′

From a F. A. Urbánek (Prague) publication, ca. 1908; composed, 1872

Quintet, H. 308 [Op. 42]

• Violin, clarinet, horn, violoncello, piano. 35′

Published 1896 by F. A. Urbánek (Prague), composed 1895

Foster, Stephen Collins (1826–1864)

Come Where My Love Lies Dreaming

• SATB quartet, a cappella. [English] 2½′

Published ca. 1893 by Wm. A. Pond & Co. (New York)

Fuhrmeister, Fritz (1862–1937)

Gavotte and Tarantella, Op. 6

• Piano, flute, oboe, clarinet, bassoon, horn. 7′

From a Carl Giessel junior (Bayreuth) publication, 1902; composed, 1901

Genin, Toussaint (jeune) (1841–1928)

Sextet, piano and winds

• Piano, flute, oboe, clarinet, bassoon, horn. 35′

From a 1906 publication by E. Demets (Paris), composed ca. 1906

Goldmark, Karl (1830–1915)

Quartet (ca. 1860)

• 2 violins, viola, cello 28′

New edition prepared from a publication, ca. 1870, by C. A. Spina (Vienna) and Aug. Cranz (Hamburg); composed ca. 1860

Grund, Friedrich Wilhelm (1791–1874)

Mass (ca. 1822)

• SATB/SATB chorus + SATB quartet, a cappella. [Latin] 45′

From the 1822 manuscript Bibliotheca Poelchaviana

Quartet, piano and strings, Op. 8 (ca. 1816)

• Piano, violin, viola, cello. 28′

New edition from a publication by C. F. Peters (Leipzig), ca. 1816
Composer’s arrangement for Piano and Winds also available ↓

Quintet, piano and winds, Op. 8 (ca. 1816)

• Piano, oboe, clarinet, bassoon, horn. 28′

New edition from a publication by C. F. Peters (Leipzig), ca. 1816
Composer’s arrangement for Piano and Strings also available ↑

Hummel, Johann Nepomuk (1778–1837)

12 Minuets & Trios for piano, Op. 24

• Piano solo. 32′

A new edition based on a publication, ca. 1807, by Kunst u. Industrie Comptoir (Vienna).

24 Etudes for piano, Op. 125 (complete)

• Piano solo. 35–40′

From a Tobias Haslinger (Vienna) edition, ca. 1834, and a publication by Universal Edition (Vienna & Leipzig), ca. 1901; composed, ca. 1834

Piano Trio no. 2, E-flat, Op. 12

• Piano, violin, violoncello. 18‒20′

From a C. F. Peters (Leipzig) publication, ca. 1870; composed, ca. 1803

Piano Trio no. 3, F, Op. 22

• Piano, violin, violoncello. 15′

From a Chez Jouve (Paris) publication, 1807; composed, ca. 1799

Piano Trio no. 4, G, Op. 35

• Piano, violin, violoncello. 15′

From a Pleyel et Fils (Paris) publication, ca. 1811; composed, ca. 1808

Piano Trio no. 5, G, Op. 65

• Piano, violin, violoncello. 16′

From a Prilipp (Paris) publication, ca. 1839; composed, ca. 1814

Piano Trio no. 6 (Grand Trio Concertant), E, Op. 83

• Piano, violin, violoncello. 25‒30′

Published, ca. 1819, by Richault (Paris)

Piano Trio no. 7, E-flat, Op. 93

• Piano, violin, violoncello. 20′

Published, ca. 1822, by C.F. Peters (Leipzig)

Piano Trio no. 8, E-flat, Op. 96

• Piano, violin, violoncello. 18′

From a Henry Litolff’s Verlag (Braunschweig & New York) publication, ca. 1860; composed, 1822.

Josquin des Prez (ca. 1450–1521)

Absolon fili mi

• SATB choir, a cappella. 3′

A classic. A masterpiece. Probably not written by Josquin after all.
Modern performance edition based on a scholarly edition, Publikation älterer praktischer und theoretischer Music-Werke, published in 1877 by Leo Liepmannssohn (Berlin)

Kalkbrenner, Friedrich Wilhelm (1788–1849)

24 Preludes, Op. 88

• Piano solo. 40‒45′

Published by Pleyel (Paris), ca. 1812

Septet, Op. 132

• Oboe, clarinet, bassoon, horn, violoncello, contrabass, piano. 26′

Published ca. 1835 by Breitkopf & Härtel (Leipzig)

Kaun, Hugo (1863–1932)

Octet, Op. 34

• Clarinet, bassoon, horn, 2 violins, viola, violoncello, contrabass. 18′

From a publication by Kaun & Bluemel Music Co. (Milwaukee), 1891

Kelley, Edgar Stillman (1857–1944)

Ballet Episode

• Piano solo. 3¼′

From a 1910 Edition by Louis R. Dressler

Piano Quintet, Op. 20

• Piano, 2 violins, viola, violoncello. 42′

From a 1907 Albert Stahl (Berlin)/G. Schirmer publication

Lachner, Franz (1808–1890)

Octet for Winds, Op. 156

• Flute, oboe, 2 clarinets, 2 bassoons, 2 horns. 30′

From a Fr. Kistner (Leipzig) publication, 1872; composed, ca. 1850

Psalm 133, Op. 91

• SSAA choir, a cappella. [German] 3′

Originally published in 1849 by B. Schott’s Sohnen (Mainz)

Psalm 134

• SATB/SATB choir, a cappella. [German] 4′

First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.

Lack, Théodore (1846–1921)

Le chant du ruisseau, Op. 92

• Piano solo. 2′

Published, copyright 1897, by Theo. Presser

Lacome, Paul (1838–1920)

Estudiantina

• SATB choir with piano. [English] 4½′

Some Americans of a certain age thought the lyrics were “My beer is Rheingold, the dry beer.”
Arrangement by Dr. S. Austin Pierce, published as No. 58 in the Octavo Choruses for Mixed Voices series
Copyright 1887, G. Schirmer (New York); composed 1881

Lange, Gustav (1830–1889)

Pure As Snow, Op. 34

• Piano solo. 3¼′

Published by C. C. Church and Company (Hartford), no date or copyright notice.

MacDowell, Edward (1861–1908)

March Wind, Op. 46, no. 10

• Piano solo. 1′

Copyright 1894, Breitkopf & Härtel; Copyright 1917, Breitkopf & Härtel (New York)

Piano Sonata no. 1 (“Tragica”), Op. 45

• Piano solo. 25′

Copyright 1893, Breitkopf & Härtel; Copyright 1922, G. Schirmer (New York)

Woodland Sketches, Op. 51

• Piano solo. 17½′

Copyright 1898, P. L. Jung (New York); Published 1899, Arthur P. Schmidt (Boston—Leipzig—New York)

Miessner, W. Otto (1880–1967)

Our High School

• SSA choir with piano. [English] 4½′

Published as No. 4586 in the Octavo Choruses for Women’s Voices series
Copyright 1905, G. Schirmer (New York)

Moriacchi, Francesco (1784–1841)

Salve Regina

• SATB choir, a cappella. [Latin] 4′

First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.

Moscheles, Ignaz (1794–1870)

Grand Septet, Op. 88

• Piano, violin, viola, cello, bass, clarinet (or vln II), horn (or vla II). 27′
[Originally published with optional string parts to substitute for the winds.]

Based on an 1834 publication by Maurice Schlesinger (Paris) and an 1835 publication by Fr. Kistner (Leipzig); composed, 1832-1833

Grand Sextet, Op. 35

• Piano, flute, 2 horns, violin, violoncello. 36′

From a publication of N. Simrock (Bonn), ca. 1816

Piano Trio, c minor, Op. 84

• Piano, violin, violoncello. 30′

From a publication by Probst (Leipzig), ca. 1831

Mozart, Leopold (1719–1787)

Divertimento Militare

• 2 piccolos (orig. Swegglpfeifen), 2 horns, 2 trumpets, snare drum, strings. 25′

A new performance edition based on Seiffert (ed.), Denkmäler deutscher Tonkunst, 2. Folge: Denmäler der tonkunst in Bayern; Jahrg. IX/2: Ausgewählte Werke von Leopold Mozart. Published in 1908 by Breitkopf und Härtel (Leipzig). Composed, 1756.

Paderewski, Ignacy Jan (1860–1941)

6 Humoresques de Concert, Op. 14

• Piano solo. 17′

From a publication by Ed. Bote & G. Bock (Berlin), ca. 1887

Palestrina, Giovanni Pierluigi da (1525–1594)

Sitivit anima mea

• SATB choir, a cappella. [Latin] 2½′

The rarely heard ’Part 2’ of the popular 16^th century masterpiece, Sicut cervus

Pennington, S. B.

Japanese Dance, Op. 12, no. 2

• Piano solo. 3′

From Two Pianoforte Pieces
Published as B. F. W. 3769-4; Copyright 1910, The B. F. Wood Music Co.

Pleyel, Ignace (1757–1831)

Septet, B. 251

• 2 violins, viola, violoncello, contrabass, 2 horns. 21′

Published, ca. 1787, by Jean André (Offenbach am Main)

Popper, David (1843–1913)

Gavotte

• Piano solo. 4′

Uncredited arrangement of Popper’s Gavotte No. 3, Op. 27
From an old volume with no title or copyright notice

Radicati, Felice (1778–1823)

Trio concertante, Op. 20

• Violin, viola, cello. 27½′

From a Gio. Ricordi (Milan) publication, ca. 1819

Raff, Joachim (1822–1882)

Cachoucha Caprice, Op. 79

• Piano solo. 5¼′

From an old volume with no title or copyright notice; composed 1858

“Grand” Piano Quintet, Op. 107

• Piano, 2 violins, viola, violoncello. 35‒40′

Published, ca. 1862, by J. Schuberth & Co. (Leipzig)

La fileuse (The Spinner), Op. 157, no. 2

• Piano solo. 3′

From an old volume with no title or copyright notice; composed, 1871

String Octet, Op. 176

• 4 violins, 2 violas, 2 violoncellos. 23′

From a F. Ries Verlag (Dresden) publication, ca. 1880; composed, 1872

String Sextet, Op. 178

• 2 violins, 2 violas, 2 violoncellos. 30′

From a Robert Seitz (Dresden—Weimar) publication, ca. 1872; composed, 1872

Read, Daniel (1757–1836)

An Anthem (“Down steers the bass”)

• SATB choir, a cappella. [English] 3½′

Previously published, 1786, by Daniel Read (New Haven) in The American Singing Book (second edition)

Rebikov, Vladimir (1866–1920)

Tableaus for Children, Op. 37
• Piano solo. 7¾′

Published, 1906, by P. Jurgenson (Leipzig—Moscow) publication; composed, 1906

Reinecke, Carl (1824–1910)

Sextet for winds, Op. 271

• Flute, oboe, clarinet, 2 horns, bassoon. 19′

From a 1904 publication by Jul. Heinr. Zimmerman (Leipzig)

Reuchsel, Amédée (1875–1931)

Sextet for piano and winds

• Flute, oboe, clarinet, bassoon, horn, piano. 21′

From a publication by Henry Lemoine & Cie (Paris—Bruxelles), ca. 1909; composed, 1908

Rey, Jean-Baptiste (1734–1810)

String Trio (11. Germinal, an IX)
• Violin, viola, cello. 5′

New edition prepared from a publication, ca. 1801, by Cousineau (Paris); composed, 1801

Rinck, Christian Heinrich (1770–1846)

Kyrie

• SATB choir and organ. [Latin] 7′

First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.

Rubinstein, Anton (1829–1894)

Etude, Op. 23 no. 2

• Piano solo. 3¾′

From an old volume with no title or copyright notice.

Quintet for Piano and Winds, Op. 55

• Piano, flute, clarinet, bassoon, horn. 37′

From publications by E. Gerard et Cie (Paris) and J. Schuberth & Co. (Leipzig), ca. 1861; composed 1855

Sayve, August de (1790–1834)

Grand Quintet, piano and strings, E-flat, Op. 15

• Piano, violin, viola, violoncello, contrabass. 28′

From a Richault (Paris) publication, ca. 1830, composed ca. 1830
Composer’s arrangement for Piano and Winds also available ↓

Grand Quintet for Piano and Winds, E-flat, Op. 15

• Piano, flute (or oboe), clarinet, bassoon, horn. 28′

From a Richault (Paris) publication, ca 1830, composed ca. 1830
Composer’s arrangement for Piano and Strings also available ↑

Schütt, Eduard (1856–1933)

A la bien aimée, Op. 59, no. 2

• Piano solo. 4′

From Papillons d’amour
Published, copyright 1900, by N. Simrock

Seyfried, Ignaz von (1776–1841)

Tantum ergo

• SATB choir, a cappella. [Latin] 1½′

First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.

Sobeck, Johann (1831–1914)

Wind quintet no. 1, F, Op. 9

• Flute, oboe, clarinet, horn, bassoon. 19′

Published, ca. 1879, by Ed. Bote & G. Bock (Berlin)

Wind quintet no. 2, E-flat, Op. 11
• Flute, oboe, clarinet, horn, bassoon. 22′

Published, 1891, by Bosworth & Co. (London—Leipzig—Paris—Wien)

Wind quintet no. 3, g minor, Op. 14

• Flute, oboe, clarinet, horn, bassoon. 24′

Published, ca. 1891, by Bosworth & Co. (London—Leipzig—Paris—Wien)

Wind quintet no. 4, B-flat, Op. 23

• Flute, oboe, clarinet, horn, bassoon. 20′

Published, 1897, by Lehne & Komp. (Hannover)

Spohr, Louis (1784-1859)

Grand Quintet for piano and winds, Op. 52

• Flute, clarinet, horn, bassoon, piano. 35′

From an 1820 publication by C. F. Peters (Leipzig)

Stcherbatcheff, Nicolas (1853–1922)

Clair de lune, Op. 25

• Piano solo. 4′

Published, copyright 1900, by J. B. Millet Co. (Boston)

Orientale, Op. 15

• Piano solo. 4′

Published, copyright 1900, by J. B. Millet Co. (Boston)

Stevens, R. J. S. (1757–1837)

Crabbed Age and Youth

• TTBB choir or quartet, a cappella. [English] 2′

Previously published, 1844, in The People’s Music Book, Vol. 3 by George Virtue (London) and in The British Minstrel, and Musical and Literary Miscellany by William Hamilton (Glasgow), n.d.

Täglichsbeck, Thomas (1799–1867)

Piano Trio, Op. 26

• Piano, violin, violoncello. 27′

From a publication, 1847, by J. Schuberth & Co. (Leipzig)

Five Choral Anthems (Fünf Chor-Gesänge), Op. 29

• SATB choir, SATB soloists, Brass ensemble (2 horns, 2 trumpets, 3 trombones, 1 tuba) or piano. 16′

Published, 1847, by Falter & Sohn (Munich)

Quintet, Op. 44

• Clarinet, 2 violins, viola, violoncello. 23′

From a publication by Trautwein (Berlin), 1863

Six Sacred Songs (6 geistliche Lieder), Op. 45

• SATB choir, a cappella. [German] 15‒26′, depending on how many verses you sing…

Texts by Albert Knapp
Previously published, 1863, by Falter & Sohn (Munich)

Thalberg, Sigismund (1812–1871)

Andante, Op. 32

• Piano solo. 4½′

Published 1856, by Henry Talman & Co. (Boston)

Wailly, Paul de (1854–1933)

Wind Octet, Op. 22

• Flute, Oboe, 2 clarinets, 2 bassoons, trumpet, horn. 20′

Transcribed from manuscripts at IMSLP. Probably composed ca. 1900

Collection

Three Tennyson Songs

J. Francis Barnett, The Sea-Fairies
• SA choir and piano. [English] 4½′

Wm. G. Cusins, The Song of King Arthur‘s Knights
• TTBB choir, a cappella. [English] 3′

H. David Leslie, The Golden Year
• SATB choir, optional piano. [English] 3¾′

Three choral works with texts by Alfred Tennyson.
Previously published, 1880, by Harper & Brothers (New York)

Copyright © 2024 Dean Crocker d/b/a CROCKER MUSIC
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