Editions by Dean Crocker
⁂ Click on a title to audition the music.
- Albert, Eugen d’ (1864–1932)
- Piano Sonata, Op. 10
- • Piano solo. 25′
- From a publication by Ed. Bote & G. Bock (Berlin), ca. 1893; composed, 1887
- String Quartet no. 1, Op. 7
- • 2 violins, viola, violoncello. 38′
- From a publication by Ed. Bote & G. Bock (Berlin), ca. 1888; composed, 1887
- String Quartet no. 2, Op. 11
- • 2 violins, viola, violoncello. 32′
- From a publication by Ed. Bote & G. Bock (Berlin), ca. 1893; composed, 1893
- Arensky, Anton (1861–1906)
- Two Quartets, Op. 55
- • SATB quartet [or choir?], a cappella. [Russian/German] 4′
- Settings of two short Russian poems by Fet and by Lermontov.
Based on a publication by Jurgenson (Moscow) from about 1900
- Three Quartets, Op. 57
- • SATB quartet with cello. [Russian/German] 7′
- Settings of three short Russian poems by Afanasy Fet.
Based on a publication by Jurgenson (Moscow) from about 1902
- Barnby, J(oseph?) (1838–1896)
- Voice of the Western Wind
- • SSA choir with piano. [English] 3¼′
- Lyrics by Stedman
Published as No. 29 in series The Coda: Supplementary Music for Public Schools
Copyright 1887 Ginn & Co.
- Bartlett, Homer Newton (1846–1920)
- Grand Polka de Concert no. 1, Op. 1
- • Piano solo. 6′
- Published 1867 by Wm. A. Pond and Co.
- Grand Polka de Concert no. 2 (“El Dorado”), Op. 14
- • Piano solo. 5′
- Copyright 1876 & 1904 by Wm. A. Pond & Co.
- Robert of Lincoln, Op. 250
- • SSAA choir with Soprano solo, a cappella. [English] 1¾′
- Copyright 1914 by G. Schirmer
- Baußnern, Waldemar von (1866–1931)
- Quintet, F
- • Clarinet, horn, violin, cello, piano. 36′
- From a 1905 publication by N. Simrock (Berlin); composed 1898
- Serenade, E-flat
- • Violin, clarinet, piano. 30′
- From a 1905 publication by N. Simrock (Berlin); composed ca. 1898
- Bernard, Émile (1843–1902)
- Divertissement, Op. 36
- • Double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 bassoons). 21′
- From a publication by A. Durand & Fils (Paris), ca. 1890
- Piano Trio, Op. 30
- • Violin, violoncello, piano. 25′
- From an 1885 publication by Ries & Erler (Berlin)
- Blanc, Adolphe (1828–1885)
- Quintet, Op. 37
- • Piano, flute, clarinet in B-flat, horn, bassoon. 22′
- From an 1859 publication by Richault (Paris)
- Brahms, Johannes (1833–1897)
- Three Sacred Choruses, Op. 37 (1859/1863)
- This edition is now published by Mark Foster.
- • SSAA choir, two soloists, a cappella. [Latin] 5¼′
- O bone Jesu
- Adoramus te, Christe
- Regina coeli laetare
- Previously published 1865 by J. Rieter-Biedermann (Leipzig & Winterthur)
- Briccialdi, Giulio (1818–1881)
- Wind Quintet, D, Op. 124
- • Flute, oboe, clarinet in A, horn, bassoon. 15′
- Based on a B. Schott‘s Söhne (Mainz–Leipzig) publication, ca. 1875
- Bullard, Frederick Field (1864–1904)
- The Pigtail
- • SATB choir with piano. [English] 2½′
- Lyrics by Thackeray
Published as No. 12 in The Laurel Octavo, first series
Copyright 1901 by C. C. Birchard & Company (Boston)
- Chaminade, Cécile (1857–1944)
- Chaminade—The Flatterer (La Lisonjera), Op. 50
- • Piano solo. 2¼′
- New edition of an 1897 publication by Theo. Presser
- Costa, Sir Michael (1808–1884)
- Damascus [Triumphal March from Naaman]
- • SSATTB choir with piano. [English] 6¾′
- Special Edition for the Sacred Harmonic Society published 1865, Addison and Lucas (London)
Published as No. 38 of The Standhope Edition Copyright 1908 by White-Smith Music Publishing Co. (Boston—New York—Chicago)
- Cramer, Johann Baptist (1771–1858)
- Piano Quartet, Op. 35
- • Piano, violin, viola, violoncello. 20′
- From multiple publications, ca. 1803; composed, 1803
- Quintet in E (“Amicitia”), Op. 69
- • Piano, violin, viola, violoncello, contrabass. 30′
- From a H. A. Probst (Leipzig) publication, ca. 1827; composed, 1824
- Danzi, Franz (1763–1826)
- Quintet for piano and winds, Op. 41
- • Oboe, clarinet, bassoon, horn, piano. 30′
- From a Breitkopf & Härtel (Leipzig) publication, ca. 1821; composed, ca. 1820
- Farrenc, Louise (1804–1875)
- Nonet, Op. 38
- • Flute, oboe, clarinet, bassoon, horn, violin, viola, violoncello, contrabass. 27′
- From a manuscript in the Bibliothèque nationale de France, 1849; composed, 1849
- Fibich, Zdeněk (1850–1900)
- Piano Trio, f minor, H. 174
- • Piano, violin, violoncello. 13′
- From a F. A. Urbánek (Prague) publication, ca. 1908; composed, 1872
- Quintet, H. 308 [Op. 42]
- • Violin, clarinet, horn, violoncello, piano. 35′
- Published 1896 by F. A. Urbánek (Prague), composed 1895
- Foster, Stephen Collins (1826–1864)
- Come Where My Love Lies Dreaming
- • SATB quartet, a cappella. [English] 2½′
- Published ca. 1893 by Wm. A. Pond & Co. (New York)
- The Old Folks At Home
- • SATB choir with piano. 2½′
- 1904 arrangement by J. M. McLaughlin of Stephen Foster’s famous song.
Published 1904 by Ginn & Co. (New York)
- Fuhrmeister, Fritz (1862–1937)
- Gavotte and Tarantella, Op. 6
- • Piano, flute, oboe, clarinet, bassoon, horn. 7′
- From a Carl Giessel junior (Bayreuth) publication, 1902; composed, 1901
- Genin, Toussaint (jeune) (1841–1928)
- Sextet, piano and winds
- • Piano, flute, oboe, clarinet, bassoon, horn. 35′
- From a 1906 publication by E. Demets (Paris), composed ca. 1906
- Grund, Friedrich Wilhelm (1791–1874)
- Mass (ca. 1822)
- • SATB/SATB chorus + SATB quartet, a cappella. [Latin] 45′
- From the 1822 manuscript Bibliotheca Poelchaviana
- Quartet, piano and strings, Op. 8 (ca. 1816)
- • Piano, violin, viola, cello. 28′
- New edition from a publication by C. F. Peters (Leipzig), ca. 1816
Composer’s arrangement for Piano and Winds also available ↓
- Quintet, piano and winds, Op. 8 (ca. 1816)
- • Piano, oboe, clarinet, bassoon, horn. 28′
- New edition from a publication by C. F. Peters (Leipzig), ca. 1816
Composer’s arrangement for Piano and Strings also available ↑
- Hummel, Johann Nepomuk (1778–1837)
- 24 Etudes for piano, Op. 125 (complete)
- • Piano solo. 35–40′
- From a Tobias Haslinger (Vienna) edition, ca. 1834, and a publication by Universal Edition (Vienna & Leipzig), ca. 1901; composed, ca. 1834
- Piano Trio no. 2, E-flat, Op. 12
- • Piano, violin, violoncello. 18‒20′
- From a C. F. Peters (Leipzig) publication, ca. 1870; composed, ca. 1803
- Piano Trio no. 3, F, Op. 22
- • Piano, violin, violoncello. 15′
- From a Chez Jouve (Paris) publication, 1807; composed, ca. 1799
- Piano Trio no. 4, G, Op. 35
- • Piano, violin, violoncello. 15′
- From a Pleyel et Fils (Paris) publication, ca. 1811; composed, ca. 1808
- Piano Trio no. 5, G, Op. 65
- • Piano, violin, violoncello. 16′
- From a Prilipp (Paris) publication, ca. 1839; composed, ca. 1814
- Piano Trio no. 6 (Grand Trio Concertant), E, Op. 83
- • Piano, violin, violoncello. 25‒30′
- Published, ca. 1819, by Richault (Paris)
- Piano Trio no. 7, E-flat, Op. 93
- • Piano, violin, violoncello. 20′
- Published, ca. 1822, by C.F. Peters (Leipzig)
- Piano Trio no. 8, E-flat, Op. 96
- • Piano, violin, violoncello. 18′
- From a Henry Litolff’s Verlag (Braunschweig & New York) publication, ca. 1860; composed, 1822.
- Josquin des Prez (ca. 1450–1521)
- Absolon fili mi
- • SATB choir, a cappella. 3′
- A classic. A masterpiece. Probably not written by Josquin after all.
Modern performance edition based on a scholarly edition, Publikation älterer praktischer und theoretischer Music-Werke, published in 1877 by Leo Liepmannssohn (Berlin)
- Kalkbrenner, Friedrich Wilhelm (1788–1849)
- 24 Preludes, Op. 88
- • Piano solo. 40‒45′
- Published by Pleyel (Paris), ca. 1812
- Septet, Op. 132
- • Oboe, clarinet, bassoon, horn, violoncello, contrabass, piano. 26′
- Published ca. 1835 by Breitkopf & Härtel (Leipzig)
- Kaun, Hugo (1863–1932)
- Octet, Op. 34
- • Clarinet, bassoon, horn, 2 violins, viola, violoncello, contrabass. 18′
- From a publication by Kaun & Bluemel Music Co. (Milwaukee), 1891
- Kelley, Edgar Stillman (1857–1944)
- Ballet Episode
- • Piano solo. 3¼′
- From a 1910 Edition by Louis R. Dressler
- Piano Quintet, Op. 20
- • Piano, 2 violins, viola, violoncello. 42′
- From a 1907 Albert Stahl (Berlin)/G. Schirmer publication
- Lachner, Franz (1808–1890)
- Octet for Winds, Op. 156
- • Flute, oboe, 2 clarinets, 2 bassoons, 2 horns. 30′
- From a Fr. Kistner (Leipzig) publication, 1872; composed, ca. 1850
- Psalm 133, Op. 91
- • SSAA choir, a cappella. [German] 3′
- Originally published in 1849 by B. Schott’s Sohnen (Mainz)
- Psalm 134
- • SATB/SATB choir, a cappella. [German] 4′
- First published, 1842, by J. P. Spehr (Braunschweig) in Mozart-Album (Erste Abtheilung), August Pott, ed.
- Lack, Théodore (1846–1921)
- Le chant du ruisseau, Op. 92
- • Piano solo. 2′
- Published, copyright 1897, by Theo. Presser
- Lacome, Paul (1838–1920)
- Estudiantina
- • SATB choir with piano. [English] 4½′
- Some Americans of a certain age thought the lyrics were “My beer is Rheingold, the dry beer.”
Arrangement by Dr. S. Austin Pierce, published as No. 58 in the Octavo Choruses for Mixed Voices series
Copyright 1887, G. Schirmer (New York); composed 1881
- Lange, Gustav (1830–1889)
- Pure As Snow, Op. 34
- • Piano solo. 3¼′
- Published by C. C. Church and Company (Hartford), no date or copyright notice.
- MacDowell, Edward (1861–1908)
- March Wind, Op. 46, no. 10
- • Piano solo. 1′
- Copyright 1894, Breitkopf & Härtel; Copyright 1917, Breitkopf & Härtel (New York)
- Piano Sonata no. 1 (“Tragica”), Op. 45
- • Piano solo. 25′
- Copyright 1893, Breitkopf & Härtel; Copyright 1922, G. Schirmer (New York)
- Woodland Sketches, Op. 51
